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#181318 - 05/19/06 06:28 AM
Re: SMF "Honky Tonk": Played back on Tyros2
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Member
Registered: 03/08/01
Posts: 640
Loc: Cottage Grove, MN, USA
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Umm.....if it matters, I think the Tyros 2 gave the better (or more believable) presentation overall. While the "G" has strong qualities for sure, for me, it still shows its age in the nuances of the music (much like my keyboard, 1998 GEM WK8). I can't warm up to the cymbal sounds on the G. Too short, no decay, tick tick tick, too mechanical sounding. Tyros, much more realistic. The other thing that stood out for me was how conjested the G gets when the music gets busy. At 1:45 into the piece, when the brass kicks in with a lot of splash cymbal and the jazz guitar gets busy, the Tyros does a better job of keeping things real, less blurring or veiling. If you really want to hear mush, this is where my WK8 falls down flat. During this passage, it's not pretty. The G's sax sure does have a lot of bite, doesn't it? Is that the Growl Sax? Very nice. I think when it comes to man-made sounds via electronics, things just keep getting better with technology. Faster processors, bigger wavetables, more accurate samples (better recording of), and electronics with more headroom (in both the digital and analog domains)...more realistic sounds or maybe it's better said, a more realistic presentation of the sounds. So what's the score? G-1000 = 8 Tyros 2 = 1 -mike
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#181320 - 05/19/06 07:07 AM
Re: SMF "Honky Tonk": Played back on Tyros2
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Senior Member
Registered: 12/01/99
Posts: 10427
Loc: San Francisco Bay Area, CA, US...
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Originally posted by Diki: how the hell do you use the bend lever to accurately imitate a sax (or just about any other expressive sound) when your left hand is permanently tied up playing the friggin' chords?? Diki: Yep, this is the same thing that's frustrated me as well, but thanks to Tyros2's SA (SUPER ARTICULATION) voices, an acoustic instrument's unique 'expressive qualities' are emulated thru a combination of: key pressure (velocity), playing speed, combined with the note distance (interval). In addition, pitch bend and other SA noise (breath, etc) effects can be triggered via foot pedal, leaving the left hand free for triggering chords and left hand kb part play. This includes the ability to play both single or two note melodic fills in the left hand immediately following chords you play (to trigger chord recognition) without affecting that chord recognition, further enhancing LIVE play performance. - Scott
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